Showing posts with label White Hispanic. Show all posts
Showing posts with label White Hispanic. Show all posts

Monday, June 10, 2013

Weekend Box Office: The Purge, The Internship, The Kings of Summer

Here is an interesting article from http://www.debbieschlussel.com/ reviewing some of the movies that came out over the past weekend. This follows this post about some of the movies from last week and THIS POST about some movies that have been released over the past few years that you might have missed! This all follows this post about guidelines to chosing good movies to watch yourself!

Weekend Box Office: The Purge, The Internship, The Kings of Summer


By Debbie Schlussel



Another mediocre weekend of new movies at theaters this weekend–well-suited for an ever more mediocre nation. *** SPOILER ALERT *** – If you don’t want certain things given away for the very predictable, “The Purge,” only read the first two sentences of my review:


* “The Purge“: I absolutely hated this very obvious, predictable far-left “social commentary” denouncing rich White people (especially those who are still in married, nuclear families) and mocking American patriotism as something akin to supporting murder. Samantha Power–Obama’s America-hating UN Ambassador nominee–would LOVE this. The only good guy in this movie is a Black homeless veteran, who saves everyone, including the family that tortured him and was going to help him get murdered. And while the movie is entertaining, it’s mostly a racist (anti-White) exercise in torture porn, killing porn, and other brutal savagery. That’s how it gets its “thrills.” I saw almost every “twist” and plot point in this movie a million miles away–that the Black guy was gonna save the day, that the rich people are evil, self-absorbed Whites (they threw on one Black chick with the evil Whites at the end to make it seem balanced, but it wasn’t), that the daughter’s boyfriend was gonna try to kill the dad, etc.



The story: It’s the future–the year 2022, to be exact. Crime is near zero and unemployment is under 1% in America, where things are doing very well, economically. Ethan Hawke plays a wealthy, successful salesman of home security systems, which he’s sold to his entire gated neighborhood. His McMansion is the largest and nicest in the neighborhood. And it’s the night of “The Purge,” an annual 12-hour event, once a year, in which everyone is allowed to commit any crime, including murder, against anyone else, and they won’t be arrested for it. There are no police, firemen, hospitals, or EMT’s available from 7:00 p.m. on that night until 7:00 a.m., the next morning. It’s a “holiday” the “new founding fathers” of the “new America,” established so that everyone can take out their hate (“purging” it) from themselves by perpetrating violence against the homeless, weak, poor, and other “undesirables,” who cannot afford expensive home security systems, something apparently only rich White people have. Those rich White (married nuclear family) people all support this savage “Purge” holiday and put out lavender and white flowers on the night of the Purge to signal to purgers that this is a house that supports the purge and it should be left untouched.



Hawke is the father of a young son and a teen daughter and has a beautiful wife (Lena Headey). The whole neighborhood is jealous of their success. When the Purge begins, they are locked down in their McMansion, supporting the Purge, with Hawke and his wife lecturing the liberal kids about how good the Purge is for America and its economy. But no security system is really 100% failsafe, and you know at the beginning of the movie, there’s gonna be trouble. First, the daughter’s “older” boyfriend sneaked into the house before it was locked down. He tells the daughter that he is going to speak with her father and “resolve” things, but predictably, he has a gun and tries to kill the dad (Hawke).



Then, the son sees video from outside the house of a Black homeless man running from Purgers down the street. He begs for help, and the son shuts off the security system and lets him in. Then, the upper-class White Purgers who were trying to kill the Black man (who is wearing dog tags and a military-style green jacket, apparently to show us he’s a military vet) come to the house and threaten to kill Hawke and his family if he doesn’t release the Black man to them to be killed. So Hawke and his wife capture and torture the Black man into submission and prepare to throw him to the “wolves,” where they know he’ll be killed.



The rest of the movie is spent on the family trying to fight off the Purgers. And, again, they are ultimately saved by the Black guy they were going to send to his certain death at the Purgers’ hands.



Just horrible. And, like I said, anti-American, anti-White, anti-nuclear-family, racist class warfare propaganda.



FOUR MARXES PLUS FOUR OBAMAS

* “The Internship“: This is billed as a reunion of “The Wedding Crashers” lead actors Vince Vaughn and Owen Wilson. But it’s no “Wedding Crashers.” Not nearly as funny. Not even close. Instead, it’s a love letter to and about Google, and a somewhat annoying one at that. It’s also a lie–there are several scenes with interns training to man the Google “helpline,” for example, but one of the most frustrating things about Google is that it, in fact, refuses to have a “helpline,” because that would cost money. Instead, if you have a problem with any of your Google products (as I occasionally have–I use some Google products for my site), you are stuck searching the help section and participating in useless forums, where you’ll mostly never get help or find the answers you need. Hey, Google, thanks for untruth in advertising. I wish Google DID have a helpline.



I also found this movie to be very self-absorbed and–per usual with Hollywood liberals a/k/a hypocrites–it’s full of ethnic stereotypes against “smart-but-square” Indians, Asians, etc. No Muslim stereotypes, though, ‘cuz they’d NEVER do that.



The story: Vaughn and Wilson are very successful, very effective salesmen for a watch company. But their company went out of business, and they need to find new jobs. So they apply for internships at Google, which they get, despite the fact that they are not genius college students from Harvard and Stanford (which is pretty much the rest of the Google internship population). The interns are divided into teams to compete in various tasks (including the fake Google “helpline”), with the winning team members getting actual jobs at Google. At first, Vaughn and Wilson seem like idiots and out of their league. They are outgunned by the young geniuses, but, predictably, they soon start helping their team win. Oh, and did I mention that they do this by taking their team of interns (who are mostly underage) to a strip club to get drunk and receive and/or perform lap dances? Ick. That’s “team bonding” and the “socialization” of geeks, these days, sadly. A terrible message for the many kids who will end up seeing this movie, which–by the way–is NOT for kids. It’s rated PG-13, but should really have an R-rating.



Yes, there were funny lines and scenes in this movie, and I laughed. But not as much as I expected to. And not nearly as much as I did when watching “The Wedding Crashers.” This was just okay. But I’d be lying if I said it was not entertaining. It was, but it was also dumb and predictable, including the silly, improbable, and hardly believable “love story” between Wilson and a top Google exec.



HALF A REAGAN



* “The Kings of Summer“: In this coming of age movie, three teen boys who are fed up with their strict parents (who later become crazy and immature) run away from home and live in the woods in a house they’ve built from junk. While their parents are working with police to find them, they are “hunting” and “fishing” for their own food (a good deal of it bought by them from the nearby Boston Market just outside and across the street from the woods). They also learn about love and jealousy and test their friendship in the process. There are several VERY scary and creepy scenes involving a poisonous copperhead snake. And there is a gross bloody scene of a rabbit being killed and skinned. Plus the language is not for kids–it’s rated “R” for a reason (several of them).



This is one of those quirky, artsy movies I usually hate and I could have done without the melodrama. But there are funny lines and it’s entertaining. And, while one of the three boys is a very weird quasi-gay character (who is very funny), it’s mostly about boys becoming men (despite having parents who don’t necessarily foster that), which I liked.



ONE-AND-A-HALF REAGANS





Monday, April 2, 2012

Trayvon Martin and George Zimmerman: Reaffirming the Anti-White Religion

Here is an interesting article from www.thepoliticalcesspool.org  about the latest on the Trayvon Martin case. This follows this previous post about it. This follows this post about the Knoxville Horror case and this post about a white person who was burned by a black gang from http://nicholasstixuncensored.blogspot.com/ and this post about the Congressional Black Caucus that you can contact and you can read the very interesting book that is being shown HERE!

Trayvon Martin and George Zimmerman: Reaffirming the Anti-White Religion


The following column was written by my good friend, Dr. Kevin MacDonald, a frequent guest here on The Political Cesspool Radio Program. In my opinion, this is the single best article written to date on the Martin/Zimmerman story.
You have to be living under a rock not to notice the deluge of media coverage of the Trayvon Martin-George Zimmerman affair. The accounts I have seen inevitably emphasize Blacks as victims and implicitly at least, the message reaffirms the narrative of Blacks as innocent victims of Whites. This of course flies in the face of data on crime showing that Blacks are much more likely to victimize Whites than the reverse, with the media bending over backwards to prevent any indication that race was a factor. I don’t recall any national media outrage recently when two Black teenagers set fire to a White teenager after dousing him with gasoline, even though they said they did it because he was a “white boy.” This happened only a few weeks ago. Rather than the wall-to-wall coverage seen in the Trayvon Martin case, there was only a brief and fleeting mention in the New York Daily News and no mention at all in the prestigious national media. It doesn’t fit the narrative that the media feasts on and promotes. No angst from Obama; no Justice Department investigation of a possible hate crime.
Indeed, it’s quite common for the media not to identify the race of non-White perpetrators. And somehow Mr. Zimmerman’s Latino background also slips into irrelevance.
Also virtually unmentioned is that Martin and Zimmerman were fighting, with at least one witness emphasizing that Martin had the upper hand just before the fatal shot. Although Zimmerman seems to have been overzealous in his scrutiny of possible criminals in his community, he may indeed have been “standing his ground” once the encounter escalated into violence. Indeed, the Orlando Sentinel reports that the police are sticking with the version that Martin was the aggressor.
Police sources say Martin was the aggressor on Feb. 26, knocking Zimmerman to the ground with a single punch and then climbing on top of the 28-year-old neighborhood watch captain and slamming the back of his head into the ground. Police say this account, given by Zimmerman, is supported by eyewitnesses, according to the Sentinel’s report.
One such witness reportedly told police that he saw Martin on top of Zimmerman, striking the man, while Zimmerman cried out for help. The attack left Zimmerman bloodied, police sources told the Sentinel, and led him to fire at Martin in self-defense.
Police say Zimmerman was bleeding from the nose, had a fat lip and confirm that the back of his head was cut. He received first aid at the scene but refused to go to the hospital and received medical treatment the following day, according to the Sentinel’s sources. (see ”Trayvon Martin case: Martin was the aggressor, police sources say.“
The above report also indicates that Martin was suspended from school because he was found with an empty baggie for marijuana, a violation of the school’s zero tolerance for drugs policy.
Given all this, it will be very interesting to see how this all plays out. The message of the poor, defenseless Black kid buying Skittles is turning into the thug who was suspended because of drug use at his school and who went out of his way to attack Zimmerman and was pounding his head into the concrete.
The main take-home message thus far, however, is the massive media overkill designed to reinforce the fundamental premise of the new dispensation: Non-Whites as victims of evil Whites—perhaps the most pervasive mantra (in Bob Whitaker’s sense) promoted by the mass media. In all societies, elites reinforce their power by interpreting events in a way that upholds and reinforces the fundamental ideology of the society. In times past, religious figures interpreted events from the perspective of their religious beliefs, and because of their power to disseminate their views to their congregations, it helped reinforce their religious beliefs. Back when America was a self-consciously White country, the media reinforced the image of courageous, brilliant, inventive Whites. The media deluge that greeted Charles Lindbergh when he accomplished his trans-Atlantic flight in 1927 doubtless produced a huge upsurge of national pride and an implicit sense that Whites were uniquely talented and creative (in inventing airplanes) and adventurous in embarking on a very dangerous mission.
But now the media goes into overdrive pretty much only when the message is that Whites are evil or, as with the election of Obama, that America is at last shedding its White identity (and none too soon). The main source of information in today’s society is the mass media which is controlled by an elite that is hostile to the traditional people and culture of America. Events like this, as seen through the lens of the media, serve to reinforce the current multi-cultural zeitgeist which is based on the premise that White people have no right to assert their interests and identity as Whites except when, as in this case, White identity is linked in the media to unjustified violence against non-Whites or some other evil.
The anti-White establishment will use this event to do whatever they can to advance their larger agenda. There have already been calls for repeal of “stand your ground” laws as inherently “racist“—another mantra endlessly repeated by the media. (Actually, the logic is impeccable: If Blacks are far more likely to attack Whites than the reverse, then they are more likely to be victims of “stand your ground” actions.) And I don’t think it’s a coincidence that today’s LATimes features an op-ed by Gregory Rodriguez arguing that free speech should be curtailed in the interests of managing diversity.
The scary thing about the new religion is that it is hell-bent on legislating itself into permanence by enacting police state controls that would reinforce the already pervasive informal controls that threaten Whites with loss of livelihood if they publicly stray from affirming the multicultural dogma. After all, with such a morally uplifting ideal, anything is permissible.
HT: The Occidental Observer